Showing posts with label Lani loom. Show all posts
Showing posts with label Lani loom. Show all posts

Tuesday, July 10, 2012

Sketching Swatching and Sampling are such valuable weaving tools

I am working hard on a new tapestry. It’s inching along, as tapestry does, when you are in focused mode.
BUT… I found myself feeling really stuck when I finished one section, and couldn’t move forward onto the next section.
So, I fell back on my ultimate design tool.
I got out my sketchbooks and aquarelles (watercolor pencils), and did the thing that my drawing master back in my art school days drilled into me: Sketch, sketch, sketch!
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He also drilled into his students that it is essential to carry your sketchbook or notebook with you ABSOLUTELY EVERYWHERE, and to sketch every single day.
AND, even more important: Don’t worry about making ‘good’ sketches.
Just catch thoughts, dreams, words, and other fleeting moments on the paper and let them build a vocabulary for you.
The part of the tapestry that had me flummoxed is a child’s costume.
I didn’t know what I wanted to do with it, until I worked my way through a bunch of really rough, ‘thinking on paper’ sketches.
That took me through the roadblock to the ‘AHA’….
And I knew that I needed to move onto sampling and swatching.
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I set up my 8 inch Lani Mirrix loom with a ‘no warp ends’ warp, using ‘S’ hooks… in the video, I show some pointers about this setup.
As a professional designer, I cannot underestimate the importance of swatches and  sampling.
I am always amazed by knitters and crocheters who skip this foundation aspect of the creative process!
So much is revealed in the swatching and sampling stages of creation.
AND… something else that is a huge bonus- so often, the sampling and swatching will reveal that there is something new to explore!
(Which of course, leads back to the sketching…) !
Even though the feeling stuck part of working on this tapestry really stank while I was in it, I ended up feeling really grateful for being forced to move back to basic problem solving techniques.
Why? Because I am now inspired to explore soumak weaving, which I have not done before.
I am fascinated and intrigued…. there will be more about this!
In the mean time, here’s the video about sketching, sampling and swatching.
And, even though I don’t normally like to show pieces while they are in progress, I did do a little ‘reveal’ of the new tapestry.

Sunday, June 10, 2012

A pin a stick and a loop of string to open sheds

If you have a loom that doesn't have a shedding device, picking up the warp strands for every row you weave can be a tedious process.
I like to use a stick,  a pin and a loop of string to open the sheds. It's a huge time saver!
I've made a video tutorial on how to do this for narrow bands, but this technique also works on wider pieces, too.
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Pick up every other warp strand with a weaving stick (even a popsicle/craft stick or a paint stick will work).
Push that stick up to the top of the loom.
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Now, use a knitting needle to pick up  the ~remaining~ warp strands, to open the second shed.
You'll be going over the strands that you went under in the first shed, and under the 'overs'.
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Take a loop of string (in this case, I used 2 string heddles from one of my inkle looms held together for more strength, and to make it easier to see in the video) through the open shed.
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Pick up the end of the loop with a kilt pin, and then lift the loop strings between each warp strand onto the pin.
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Take the second end of the loop up onto the pin, and close it.
Adjust the length of each section of the loop.
And, Voila! you now have a handy, dandy way of opening both sheds!
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copyright Noreen Crone-Findlay
Here's a pic of the shuttles that I make by upcycling old rulers and bits of decorative trim:
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HOT TIP that I mentioned in the video: If you use a file folder as the separator/background thingie between the front and back of your loom, you can use the pocket of the file folder to park your shuttle and beading needle when you're not weaving.
And, here's the video tutorial:
Happy Weaving!
Noreen