Susan posted some questions on my blog I thought I would answer in today’s post.
First, my disclaimer... I’m not good with “shoulds” and rules and boundaries. I tend to work in ways that suit what I’m trying to accomplish rather than doing what’s “right”. This is the main reason I don’t try to teach. This is also one of the reasons I recommended books at the beginning of the campaign for people who want to learn tapestry weaving. So, that being said…
Why do you start weaving in different places?
On the current weaving, I’m weaving in different places instead of straight across because I’m balancing the colors as I work. Even though I’m working from a colored cartoon, I still need to make adjustments as I move through the piece. For someone else it might be easier for them to just work straight across. I think it just depends on how you visualize things.
Does that make uneven tension?
Yes, it could. But the weft of your weaving can also be uneven if you work straight across. Getting a nice even weft is more about practice and developing a feel for what you’re doing.
Do you always use the shedding device on small areas?
I never use the shedding device on small areas. I use the shedding device when I’m working on large weavings or when the weaving that I’m working on has large areas of color.
Do you ever use anything but plain tabby weave?
Sometimes. It really depends on what I plan to do with the piece once it’s off the loom. As you’ve seen, a lot of my weavings are incorporated into collages. I really prefer my changes in texture and design to come from the different yarns and fibers I’m using.
Can you add texture changing the weave and if so can the heddles be arranged to change the pattern using the shedding device?
I haven’t tried it on the Mirrix but I don’t see why not. Hopefully Claudia or Elena will jump in if I’m totally off track on this. My best suggestion would be to just give it a try.
How would it look using your fingers to lift the warp threads and change the weft pattern to add texture or break up a large pattern of color?
It’s going to depend on what you’re using as warp and weft. Warp your loom and just try out all of the wacky things you can think to try. Some you’ll love, some you’ll hate, but I think experimentation is important in order to grow as an artist.
Can you embellish the weaving by adding some metallic thread as a highlighted area?
Yes, you can either weave the metallic thread into the weaving or embellish with it once the weaving is off the loom. I use Kreinik Metallic Threads and Cords. And WEBS (www.yarn.com) offers a limited selection of metallic yarns. They’re generally more expensive than regular yarns.
What about shading an area?
What about shading an area?
You can play with the colors that you’re weaving with in order to shade an area.
Just a reminder also, videos will be posted on Mondays instead of Sundays for the remainder of the campaign.
1 comment:
OMG Bonnie! Big Thanks for answering ALL my questions at once. Being a newbie and an admirer of your work style, I appreciate your honest answers. I understand better why people seem to work all over their piece. It makes sense to balance the colors as you progress. I find the hue of a color can change when it is woven next to other colors. Lots of useful info. Thanks again, Susan
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